Approved
Judy Summer

Stylized free spirited horses, masks and other forms that convey fluid motion and abstract expression

Art Form: Sculpture
Artist Statement: Fluid motion and sense of graceful energy are captured in the dramatic equine sculpture of Judy Summer. They are a statement about living her life and her connection to the dynamic energy of the natural world. Judy arrived in park city in the"70s after many years in the artistic environment of Couthern California. "it was an era, where people were open to rethinking their relationship to life and to the arts." Her New York City schooling in Fine Art and Education encouraged her to find her artistic voice in sculpture. From limited edition bronze, to small pieces to be worn as jewellery, her award winning art has been collected world wide. In the late 80's, Judy discovered the "new clay". Her experimentation in this medium eventually led to her adopting this as her primary sculpture material. Judy finds endless possibility in polymer clay. Its intrinsic malleability, strength, forgiveness and exciting color embody what she portrays in her sculpture and life as well. In the early 80s,judy spearheaded the founding of the Park City Professional Artists’ Association. She has also since lent her support and creativity to civic organizations, as well as founding "Artworks Gallery," and helping to found "Arts Kids". She presently lives on her small ranch on the outskirts of park city with two funny, kind horses and a spunky little dog. Here is where she works, shares creativity, and enjoys the inspiring vistas of the mountains and ever changing sky
Approved
Zafod Beatlebrox

A world that exceeds the imagination and delights the eye

Art Form: Sculpture
Artist Statement: Metal Sculpltor Zafod Beatlebrox says his ideas come from looking at things differently and deeply. His early scientific and mechanical career satisfied a craving to make things, but art satisfied his urge to create things. He works with clients to build a world that exceeds the imagination and delights the eye. Yet everything must be functional in order to make him happy. Zafod (pronounced ZAY-fahd) has lived near Park City for 25 years on the Aztec Art Ranch where he has his workshop. He has exhibited in Salt Lake and Park City, is a member of the Park City Professional Artist's Association and has taken performance and visual art to the Burning Man Art Festival. He lives with his wife Lola, two dogs, a cat and four llamas in Brown's Canyon, Peoa.
Zafod works in metal, concrete, stone, tile, and other media. To work with a client, he first consults about the client's desires to find a design that suits their needs. This consultation is free of charge. If the client wants to proceed, a consultation fee is charged to create artist’s rendering(s) of concept proposal(s) which are then presented in a meeting to discuss and refine the ideas. If the client wishes to proceed, a budget is presented for final design and implementation. Zafod has 30 years of experience in construction, including home building, furniture-building, metal working, and concrete slab installation. He can work with plumbing, heating, lighting, electrical and other systems. He also subcontracts with experts in those areas. A final contract is drawn up to specify the work that will be performed, installation schedules, and pricing for labor and materials.
Approved
Olga Hegner
Art Form: Painting
Artist Statement:

Creation of art is a natural desire, which is coming right from an artist's heart. Somebody long time ago gave an advice to a young poet: "If you can help it - do not write [poetry]". It is still true and applicable to any form of art.

Approved
Alix Railton
Art Form: Jewelry
Approved
Melanie Ferguson
Art Form: Painting
Artist Statement:

CONTEMPORARY LANDSCAPE/ WATERSCAPES

Nature is the inspiration behind many of my paintings, and always a place that rejuvenates my spirit.  I love painting in Plein Air, and use what I learn from the small sketches and photographs I take to create my abstracts.  I love to delve deeper into what is behind a pretty landscape, and what images and memories it conjures up when you view my paintings.  I want my viewer to say, “ that painting reminds me of…”   Many times I start a painting not knowing exactly where it'll take me, so I let go of the plan and let it take me where it wants to go.   I believe in "Less is more"  it makes a much more interesting painting.  So have a look, I hope it inspires you to see the beauty we are surrounded by!

Approved
Ida Yoked

The vibrant colors of Ida's acrylics are the driving element in her art work. She paints a variety of subjects from abstract to impressionistic styles expressing life experiences.

Art Form: Painting
Artist Statement: Ida is an experimentalist, constantly searching for the right media to express life impression through sculpture, painting, and photography. The vibrant colors of her acrylics are the driving element in her art work. She paints a variety of subjects from abstract to impressionistic styles expressing life experiences. Currently Ida resides in Park City Utah  and is one of the founders of Expressive Therapies Utah and work as an art therapist .
Approved
Henry Wythe

The pleasure of a finished piece of jewelry comes from hours of searching the desert for rough stones, polishing gems, and fabricating silver into a piece of art.

Art Form: Jewelry
Artist Statement: Jewelry is a moment of enjoyment which can last forever. As a prospector, gem-cutter and silversmith, I spend years preparing for that moment. My early work is very geometric, and I still like to design a piece that captures the formal modernism of mid-century Berkeley. The newest work has an organic interplay between polished stone and metal.  I try to capture a flow of nature that is frozen in time.
Approved
Cyndi Sharp

Hardwood, driftwood, and other wood knots become creative objects to complement the stones

Art Form: Jewelry
Artist Statement: The jewelry-making process is quite time consuming, taking over TWO YEARS to complete! First the roots are dug up, the smaller branches are cut off, the dirt is washed off, and then they are stacked to dry outside in the dry western climate for two years. This allows the bark to fall away, leaving the hard root wood begging to be worked with. The wood is thoroughly cleaned and sanded, and stones are chosen to complement the wood. Found hardwood, driftwood, and other wood knots become creative objects as well. The wood is either left with a natural colored finish or highlighted in varying wood tone stains to complement the stones. The wood receives three to five coats of a protective water-based or polyurethane finish, with sanding between coats. The gemstones, beads, and chains are all connected together to form the interesting one-of-a-kind pieces of jewelry ready for you to wear. Please enjoy! `
Approved
Denise Walz

Denise's unique designs are inspired by her love of Mother Nature, life in the west and her relationship to Spirit

Artist Statement:

Originally from Colorado, many of Denise's unique designs are inspired by her love of Mother Nature, life in the west and her relationship with Spirit. Denise's original jewelry creations are the result of many hours of drawing the concept of her design, carving the wax sculpture, and casting the design using the lost wax technique. Some designs are created by using the fabrication process and gemstones are often added to enhance the creation. Denise is the designer/producer of the Salt Lake 2002 Olympic Micro Cheering Bell and the Vail 99 Micro Cheering Bell. She has also designed jewelry for The U.S. Ski and Snowboard Teams, as well as creating a logo pendant for Robert Redford’s Sundance Resort. Her senses of adventure and free spirit have taken Denise to live in Colorado, Arizona, Montana, Alaska, Hawaii and currently Utah, where Denise has lived since 1995. Many of Denise’s creations reflect these beautiful places. Along the way Denise has studied at Pima College in Tucson Arizona, Flathead Community College in Kalispell Montana, The University of Alaska in Anchorage and on the Kenai Peninsula, The Revere Academy of Jewelry Arts and a variety of less formal structures.

Approved
Cheryl Young
Art Form: Painting
Artist Statement:

 Cheryl Livingston-Young has over the course of her life as an artist with years of independent study, is convince the biggest influence in her work is living in the beautiful high desert and Rocky Mountains of Utah and Colorado, where there is such an abundance of wildlife, all her works are from her own photo references, while her primary subjects our wildlife and Western, her work focuses, not so much on the particular animal or place and time but her amazing ability to capture the realistic with her wonderful methods of glazing layers of color. Cheryl spent two weeks in Dinali national park Alaska on a wildlife photo shoot.  She also spent time in Jamaica for references of sea life she paints, but her real passion is the wildlife living in the great Rocky Mountains of Utah and Colorado the place she calls home she has played a large part raising our awareness in the community she lives in . Cheryl believes that art in the community has a subtle unconscious refining influence that the presents a good art will unconsciously refine a community, we are trying to keep art education in the community for our children so that they can continue flourishing in a more refined environment. 

Approved
Lisa Carlson
Art Form: Jewelry
Artist Statement: .
Approved
Karen Kendall

A painting should evoke a visceral response, drawing the viewer in, and inviting them to “take a journey” outside themselves. Beauty is captured in a moment on canvas.

Art Form: Painting
Artist Statement:

As an artist, Karen hopes to elicit a feeling or an emotion in viewers, whether it is through the subject, or through bold color. A painting should evoke a visceral response, drawing the viewer in, and inviting them to “take a journey” outside themselves. Beauty is captured in a moment on canvas.

Approved
Melissa Skarsten

I emulate nature and promote our individuality as humans

Art Form: Jewelry
Artist Statement: The natural world is always pulling at you…. to come in and see her beauty and feel the “mystery of nature”, and so my work celebrates what I experience there. The Pacific-costal redwood forests haunt me. As I was developing my distinct style, memories from my visits to the redwoods kept appearing and inspired the textures and color palettes I began using. More importantly, it was the emotions I felt when standing in that primeval forest I started to capture, and a organic elegance and sense of antiquity showed up in my style. The ancient technique of granulation is perfect for creating organic textures. With a torch, I fuse tiny grains of gold and raised lines of silver onto the surfaces of my pieces. I then expand the technique by flowing melted gold in and around the applied textures. To achieve the rich color palette, I oxidize many of the pieces a deep black to illuminate the gold. The gemstones and the metal finishes I choose, allows me to express the dance of light and movement that water, sunlight, and breeze create in the forest. My work is done in a spontaneous manner, a vision maybe scribbled out as a starting point, but materials and technique guide the work into a finished piece. This evolutionary process keeps my creative thoughts flowing…. And makes me happy. I make one-of-kind pieces, each piece inspiring the next. Serial imagery or what I like to call the “kaleidoscope effect” is where I take a piece and redesign it…. and like the turn of the kaleidoscope, the variations are endless. By making one-of-a-kind pieces, I emulate nature and promote our individuality as humans, which I find a breath of fresh air in a world of mass produced, identical products.
Approved
Bill Silliman

Wildlife, Scenic, Panoramic, Macro and Heli-skiing Photography

Art Form: Photography
Artist Statement: Most of his photographs are wildlife photos which have been taken with a 21 mega pixel Canon 1Ds Mark III camera and are taken with various L Series lenses depending on the situation. He has recently gotten into macro photography for flowers and insects. Make sure you look at his Monarch butterfly photos.
Approved
Kathy Cartier

Bold enough to be understood from a distance but still create an invitation to come closer and explore

Art Form: Fiber
Artist Statement: Large scale collages are built by a layering of thoughts and ideas that evolve intuitively with each arrangement. Kathy Cartier’s work consists of mixed media, collage paintings and vessels composed of layers of handmade papers, paint and canvas. Her contemporary style often portrays both landscape and abstract designs. For many years she has specialized in traditional Japanese papermaking using oriental fibers that come from Mulberry trees. This process is the foundation she uses to create unusually rich and textured papers. Once the paper is made, it is cast onto rocks and other textured surfaces to create relief in her work. Inks, fabric dyes, acrylic paints and metallic powders are used for color and to highlight the forms. Silk and cashmere fibers are added for textural interest. For reflective qualities gemstones, glass beads and metal fragments are hand sewn onto the paper’s surface. This entire process is as rewarding to Kathy as her finished art work. Cartier's compositions are bold enough to be understood from a distance but still create an invitation to come closer and explore their intimate surfaces alive with texture and visual energy. Angel Dolls are created from hand-made paper, silk and cashmere fabric, dyes, acrylic paints and metallic powders.
Approved
Adrianna Allegretti
Art Form: Painting
Artist Statement:

I love to draw, and I consider it an important basis for all of my artwork. I love snowboarding, wake boarding, mountain biking, traveling, and going on adventures! I am inspired by the mountains, the ocean, my family, music, and other various forms of expression. I love the outdoors, and the American West, both of which are featured often in my work.

Approved
Carol Granger

Painting feeds my soul like no other discipline. Expressing myself with color, texture and spontaneity is pure joy.

Art Form: Painting
Artist Statement:

“If I could say it in words, there would be no reason to paint.” -Edward Hopper- Many people ask why I paint. My answer is best described in the above quote. My passion for creating a piece of artwork is not only thought based but also process based. Painting feeds my soul like no other discipline. Expressing myself with color, texture and spontaneity is pure joy. The process is a familiar ritual that comforts and inspires as I squeeze out luscious oil paint, prepare supports, load my brushes and palette knives with paint, and apply bold strokes of color to my surface. My subjects are those that speak to me personally and can include landscape, still life, and figurative work. It isn’t always the most beautiful things that inspire me, but most often something that grabs me and won’t let go – like a song or quote that keeps playing over and over in my head. Light and shadow are two important elements that tend to get my attention as well as a dynamic composition. My style leans most toward realism with a painterly twist. I have an immense respect for the artists that have come before me, and the lessons they continue to teach.

Approved
Ginny Coombs

Photos of wildlife and the geometric patterns that can be found in the natural world.

Art Form: Photography
Artist Statement:

A love of Nature has always been an important part of Ginny Coombs' life. She notices the rhythmic patterns that can be found in a brook or the detailed markings on individual wild animals or birds. Ginny has developed a keen eye for the subtleties of what she sees and shares with the viewer an appreciation of the displayed scene with an expanded viewpoint. Whether Ginny is sketching or doing photograph work, she looks for the revealing patterns of light and dark. She captures the scene with a photographic composition that is visually balanced. The main ingredient for successful photographs is to just 'get out there', not mind inclement weather and be observant of the artistic opportunities whether it is a vast expanse of unending scenery or a small plant with its subtle beauty that catches the viewer's attention.

Approved
Jennifer Terry

Creativity is the highest form of intellegence

Art Form: Painting
Artist Statement: I love rich, vibrant colors, and the organic shapes in nature. I love having fun with different patterns. I love twisting reality just enough to make the real unreal. Many of the paintings are of the scenery in and about Park City and Summit County. When I take a walk in a natural setting I 'see' the painting before I paint it. My paintings take a long time to produce but I enjoy the process. It's not a race. I know when I'm finished with a painting when I love it.
Beeswax based paint is a versatile and dimensional medium. I have embedded a variety of materials into the wax including coins, leaves, paper, metal, beads, wire, paper and fiber. These paintings are highly textured and full of fun detail.
Approved
Richard D Pick

These are special places that deserve our respect and protection. The emotion they invoke will differ for each of us. Many of these photos can have a mystic quality or be very abstract and the subject may not be entirely obvious on first viewing.

Art Form: Photography
Artist Statement: These works take the viewer to places they may never have the opportunity to experience. The muted colors are possible only from reflected light or light created during those moments before sunrise or after sunset. These are special places that deserve our respect and protection. The emotion they invoke will differ for each of us. Many of these photos can have a mystic quality or be very abstract and the subject may not be entirely obvious on first viewing. These works are meant to be studied and explored just as we might do if really there.
Approved
Fred Montague

Art, writing, and teaching that foster environmental awareness and ecological consciousness.

Art Form: Painting
Artist Statement: THE PHILOSOPHY: An indication of an aware and responsible society is its concern for vulnerable and aesthetic values. Wildness, wildlife, and wilderness are such values, and their appreciation and preservation are ecologically and culturally significant aspects of current affairs. Montague's activities in art, writing, and university teaching have centered ultimately on fostering environmental awareness and ecological consciousness. The foundation of his artwork is the ink image-- usually in the form of a carefully rendered pen-and-ink drawing or a hand-lettered paragraph. His goal, in this fast-paced, quickly changing, more complicated world, is to offer a revitalizing link to our ecological context-- Nature. THE DRAWINGS: The endangered tradition of creating images in ink with pen is a discipline of many demands. The medium, in all its black and white starkness, requires much, and there is little room for error. Furthermore, the artist states, "The greatest challenge is producing the effects of form, space, texture, and color merely by making black marks on white paper." Montague accomplishes these feats by painstakingly deliberate stippling and intricate cross-hatching. Some drawings have taken more than 200 hours to complete. The plants and animals come alive, and the habitats grow in space and detail as each ink dot and line is applied. The finished work becomes a window to the natural world. THE LIMITED EDITION PRINTS: Fred Montague prints most of his editions on a 1913 Golding hand-fed, platen letterpress. He prints some of his drawings from engraved plates. He learned printing by doing it-- after a printer-friend in Indiana gave him a vintage press. Montague moved the massive cast iron antique to his Utah studio from his Indiana studio in 1992. Printing is an interesting craft, and few people who create their own ink drawings print them on letterpress presses. The interplay between paper texture, ink density, image detail, and image pattern all come together as the large balance wheel spins and the platen holding the paper closes against the inked plate. The resulting embossed impression, almost carving-like, literally adds another dimension to the graphic work. He also uses this printing press to print his limited-edition woodcuts. He carves the woodcut masters from maple blanks that he modifies to fit the printing press.
Approved
Dori Pratt

I was exposed to art at a very young age and have pursued my artistic passions with conviction for many years, the adventure has increased exponentially with time.

Art Form: Painting, Jewelry
Artist Statement:

I am inspired to create jewelry that is a part of me, colorful, textural, made to last, everyday wearable, makes a statement, is fun to wear and possibly has a story behind it.

My work as a silver/gold smith, began as a summer job in 1973 and now some 40 years later has become not only my passion but my serious artistic pursuit. My studio in my house is cozy, sunlit, filled with a collection of a life devoted to my craft, and my sanctuary, where I get to design and create jewelry! What could be better? 

 

Approved
Linda McCausland

Pushing the colors and textures in my art rather than portraying them exactly as they exist in reality

Art Form: Painting
Artist Statement:

Linda says about her art, “I like to concentrate on the interaction of color. Whether I am painting landscapes, still-life, animals or people, I enjoy pushing the colors and textures in my art rather than portraying them exactly as they exist in reality. I find it is a relaxing way to express myself.” She works in several media depending on the subject. Linda prefers acrylic, pastel, encaustic and mixed-media compositions. Her favorite subjects are landscapes in the west as well as in the Thousand Island area of NY state and animals, both wild and domesticated. She is inspired by the modern impressionists, especially Wayne Thiebaud. Recently Linda has been exploring abstract paintings.

Approved
Ron Butkovich

Ron delights in the unpredictable use of traditional materials, including precious metals and stones

Art Form: Jewelry
Artist Statement: Primarily using the techniques of lost wax and fabrication, Ron delights in the unpredictable use of traditional materials, including precious metals and stones. Perhaps most importantly, in both his life and his work, Ron strives to balance the precious and the everyday. Consequently, his work is collected around the world by those share Ron’s vision of beauty in daily life. Ron rejuvenates his creativity through both quiet connections to the natural world—as a passionate master gardener—and through social connections to the human world. Ron is an active member of his community, where he is involved with the town’s historic society, professional artists association and public art committee.
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