My ceramic pieces are inspired by the natural world around me and reflect my interest in geology, anthropology, science and the humanities as well as my need to create. The tactile nature of clay allows me to experience the pieces as I make them. Until the final kiln firing (usually to 2300* F), clay is constantly changing. It has the ability to mold and form in unlimited ways and can also be fragile and solid in its' drier stages. I am constantly challenged to create new forms with complex surfaces and this keeps me engaged and progressing. Pieces with multiple forms reflect how people (and I) relate to others. It is important to have a balance in these pieces and they are probably an attempt to find harmony in a sometimes crazy world. High fire stoneware and porcelain clays are used to form these pieces using both the potter's wheel and hand building. The layering of surface textures and design is something that calls for special attention and a lot of thought goes into this step. Surfaces designs may include embossing, carving, painting, glazing, stretching, and burnishing by themselves or combined for desired effects.